PERMANENT ART COLLECTION

ABOUT THE PERMANENT ART COLLECTION

The Art Gallery of Mississauga is committed to the development of a Permanent Collection with a focus which is unique to the Gallery and begins to focus on creating a destination collection for the future AGM. The aim is to reflect the cultural diversity of the community, with a particular interest in work by Canadian artists which examines the inter-relationship between one’s own heritage and the ongoing definition of one’s culture from a contemporary perspective. The AGM is designated as a Category A Institution under the Cultural Property Export and Import Act of the Government of Canada.

 

As of 2014, the Gallery seeks to build a collection that participates in a significant national or international dialogue on photography and its conceptual and material possibilities. Of particular interest are works of art which reflect the excellence and diversity found in the community of Mississauga, iconic and historic Canadian works of art and digital or lens based | photographic artworks. An additional interest will be work by artists which examines and interprets the urban environment, identity and experimental noteworthy works representing a period of time, movements and concepts in Canadian Art history.

 

The AGM collection aims to present projects and exhibitions and acquiring works that embrace a wide range of contemporary aesthetics and technologies with the goal to offer students, educators, research specialists, and general audiences an intimate and comprehensive visual study centre on digital and lens based images and photography. It is understood that as artists continue to experiment with new technology which is representative of its time – new forms and visual experiences will arise and challenge modes of accepted production. The AGM collection must absorb the new from an informed stand point, while simultaneously connect to historic precedents.

 

Lens based works and photographic works are any given method of producing an image whether historical print and film or digital and new media methods of production. Not limited too conceptual works, performance based documentation, photojournalism, landscape and other emergent styles. Photography processes for collection are Albumen, autochrome, c-type print, calotype, carbon print, collage and montage, cyanotype, digital print, dye destruction print, poloroid, gelatin silver print among others. Digital based works are not limited to film, video, sound audio works, 2-D and 3-D digital visual experiences, projected images as an example. The work must have the proper digital platform to ensure proper care and maintenance and longevity by the AGM.

 

Finally, the Gallery is interested in accepting donated work which support the following definitions; Iconic works by Canadian artists that have major museum attribution or are represented in the permanent collections of the National Gallery of Canada, the McMichael Canadian Art Collection or the Art Gallery of Ontario.

The gallery offers an online database to share the collection with the public.

 

 

 

 

 

 

 

Interested in owning a piece of the AGM's Permanent Art Collection? The AGM offers posters featuring favourite works from the collection for sale. For more information, please contact the gallery!

 

POSTERS

The Art Gallery of Mississauga presents selections from the permanent art collection. Changing with each exhibition period, these thematic groupings are accompanied by educational resources and activities. With this space, the AGM hopes to provide opportunities for deeper engagement between visitors, art and the community. 

 

The Art Gallery of Mississauga gratefully acknowledges the financial support of the Pendle Fund at the Community Foundation of Mississauga, a registered charitable public foundation serving the people of Mississauga.

 

 

 

 

 

 

 

 

 

HIGHLIGHTS FROM THE PERMANENT COLLECTION

ON VIEW | SEPTEMBER 7 - OCTOBER 22, 2017

 

TRANSCENDING SIGNS:
KEN LUM AND PANCHAL MANSARAM

 

SEPTEMBER 7 - OCTOBER 22

 

 

The artists in this Permanent Collection activation utilize the strategies of humour and satire to explore the complexities of the diasporic experience and its implications for identity formation. Humour allows for a communication with the audience that is both immediate – such as the surprise of discovering plaza signage hung in an art gallery – and subtle, stemming from the juxtaposition of image and text, such as a witty title. Both works deal with the flattening of identity experienced in the contemporary context, in relation to instances of stereotype and the world of advertising.

 

Panchal Mansaram’s Holy Cow (1994) quite literally combines the sacred and the profane to present a light-hearted treatment of reverent subject matter that doubles as a commentary on the fusion of East and West. Ken Lum calls upon the viewer of Kings Mall (2009) to see the work as a portrait for a community where the livelihoods of individuals from a multitude of cultures exist side-by-side – perhaps disjointed, but all too familiar in a local context.

 

Both works present signifiers that immediately call up references to various cultures, but in subverting their easy reading, ask questions about who we are and how we reflect ourselves to the world.

 

Top: Panchal Mansaram, Holy Cow, (detail), 1994. Colour lasergraph on wood.
Collection of the Art Gallery of Mississauga
Donated by the artist, 1996

 

Left: Ken Lum, Kings Mall, 2009
Powder coated aluminum, steel rods, Plexiglas
Collection of the Art Gallery of Mississauga
Donated by the artist, 2015

 

This exhibition is generously supported by the Pendle Fund at the Community Foundation of Mississauga.

 

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The AGM partners with the National Film Board of Canada (NFB) to provide film screenings that complement the works from the Permanent Collection on view.

 

Nisreen Baker, Things Arab Men Say, 2016
Running Time: 52 minutes

 

This documentary paints a picture of Arab men that is vastly different from what we’re accustomed to. In this antidote to mainstream-media depictions of Arabs as terrorists and extremists, we get to meet Jay, Ghassan and their friends, who gather at Jamal’s Eden Barber Shop to discuss politics, religion and family over a cut and a shave. Often funny, sometimes sad, this engaging film documents the challenges these men face integrating into Canadian life while preserving their identity and culture.